2600
2600C
2600P V1.0
2600P V2.0 2600P V3.0
2601 V1.0
2601
V2.0 2601 V3.0
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early 1971
1971 1971
early 1972
1972-1974
1975 - 1976 1977
- 1979
1980
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The Blue
Marvin, all metal case & matching
metal 3604 keyboard The
Gray Meanie, all metal case & matching metal 3604C keyboard Wood / tolex suitcase & 3604P kbd, detailed
silkscreen, Tonus logo Serial # restart using 26XXX format, panel height = 14.5" Simplified silkscreen: ARP logo, no trim labels, Panel increased to 15.5"
3620 duophonic keyboard, smaller trim holes, serial # restart: 2601-XXX New front panel colors
with matching 3620 keyboard Late suitcase, top handle & latches similar to Solus
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blue / white gray / white gray / white gray / white gray / white gray / white black
/ org&wht black / org&wht
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Very rare, great
VCOs, great audio path, phenolic boards Rare, great VCOs, great audio path, fiberglass boards Easier service - great VCOs (4017), great audio path 4027 VCO (still good), audio path change = muddy sound 4027-1 VCO, hissy, poor slew rates, 1974 -small tank Better input jacks, PCB mounts,
better slider feel, hissy 4072 filter with error, submodules unencapsulated,
hissy Avatar power supply, the last of the 2600's -
rare.
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Estimated production numbers: 2600 - 25 units 2600C - 35 units 2600P - 1700 units 2601 - 1000 units 2600 production peaked in 1973-74. The 2600P v3.0 is the version that was produced in the greatest quantity. The later model 220v european version carries the 2602 designation. There were relatively small numbers of these sold but they are electrically identical to the 2601. The best 2600 to look for? Chronologically, 2600's
got more reliable and serviceable as production progressed throughout
the 1970's. The biggest change was the 2601 update that replaced
all the input jacks with a more reliable type of jack. However, this improvement required that each jack be hand wired to the circuit boards, pushing up the labor costs considerably. The printed circuit boards were fitted with additional supports that improved the tactile feel of the sliders and also improved mechanical reliability. The retail price of a 2601/3620 was $3300.00 in 1975. It's also obvious that 2600's got progressively worse
in the audio
department.
The
best
sounding units being the very first ones, and the worst sounding units
being the last. All units made from 1972 onward sound very muddy, hissy and thumpy straight from the factory. Probably the best course would be to find a late model (2601) and get the audio upgraded here at CMS. The earlier units do sound better from the factory, but the numerous mechanical problems can add up to a hefty repair bill especially if the 2600 in question, has been exposed to moisture for long periods. Extensive road use is obiously another cause for concern. Indications are a yellowish silkscreen (tobacco) and a worn silkscreen in the filter mixer and ADSR sections. See the 2600 page for upgrading your late model
2600 to original audio specifications. Other interesting info: The 4012 filter was used for all 2600's from the very beginning through 1976. The all metal cabinet version of the 2600 appeared in 2 colors, bright blue (2600) and gray (2600C). The Blue Marvin is freaking bright blue! It's not "blue gray"! It's not called a Blue Meanie! - Source: Alan R. Pearlman The "Gray Meanie" nickname appeared in the late 80's probably as a result of the Blue Marvin misconception. It's real name is the 2600C. Lately, there have been several people selling 2600Ps on ebay billing them as "Gray Meanies". This is somewhat misleading since most experts and dealers classify a Gray Meanie as an all metal cabinet, gray 2600 - no wood or tolex whatsoever on either the synth or keyboard! ©2006/2007 Phil Cirocco / CMS
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