Upgrades & Mods for the ARP 2600
   
 
 

The Blue Marvin

 

That's right, it's Marvin not Meanie. It's named after Marvin Cohen, who was head of engineering at ARP. This was explained to me by Alan R. Pearlman as he drove me around in his black Saab. I just love the look of the metal cabinet 2600's, but Alan didn't speak highly of the enclosure. "We had an aircraft fuselage engineer design the cabinet for the very first 2600's, what a nightmare! It was odd looking, very difficult to service, and the corners tended to crack. I took the front panel (the front panel layout was designed by Alan himself) got rid of everything else, and came up with the tolex covered shuke type cabinet". The shuke is the inside angled tolex section that the front panel is bolted to in a standard 2600P/2601. Over the years, it's obvious that Alan's cabinet solution made the machine much more roadworthy and serviceable. But you just can't help appreciating the "Mod" appearance of the first 2600's.

The 2600 uses microchip technology in all of its gain stages! The first 2600's, like the one pictured above, used hi-fi chips (Teledyne) with a high slew rate. Although these chips sound great, they were very unreliable and prone to latch up. Around 1972, plagued by failures in the field, ARP was forced to change these chips to a much more reliable type (National Semiconductor LM-301 or SL-1998) The problem is that they slew the wave shape producing a muffled sound. The LM-301 is classified as a general purpose amplifier, and is considered inadequate for audio by present standards. Nearly all the standard production gray-face 2600's use the LM301. This is the main reason why the legendary Blue Marvins sound better! If your 2600 doesn't look like the one in the photo above, and odds are it doesn't, your 2600 is not using the original circuitry and does not sound the way it was originally intended to sound by the ARP engineers.

The C.M.S. Audio path upgrade restores your 2600 to the original performance specs. If you're going to use your 2600 in a modern digital/analog studio, we strongly recommend the CMS Audio Path Upgrade.

 
         
 
 

STAGE ONE UPGRADES / MODIFICATIONS FOR THE ARP 2600

These upgrades are internal audio improvements to the circuitry of the 2600

 

AUDIO PATH UPGRADE PACKAGE - (ALL MODELS) - 349.00

This mod replaces all gain stages in the 2600 console with audiophile grade components for crystal-clear highs and a deep low end, while still maintaining the distinctive character of the 2600. Upgraded sections include: lag processor, voltage processors, reverb stages, preamp, VCF mixer, output mixer, output buffers, etc. We also fix the annoying VCA thump. Noise in the reverb section is reduced by 35%. Filter headroom is increased by a factor of 2! Stability and sound improvement guaranteed. Later model 2600s (almost all wood / tolex 2600s) use inferior sounding gain stages that severely impede the true sound of your 2600. Earlier 2600's (Blue Marvins and Gray Meanies) use "high slew rate" chips that sound much clearer. Restore your 2600 back to the specs that the original ARP engineers intended! Don't be fooled by imitations from "noob techs" or DIY attempts. If the Audio Path Upgrade is not performed correctly, it can become unstable and lead to high frequency self oscillation of all the amplifier sections!

 

FILTER MODULE UPGRADE - (4072) - (LATER MODELS) - 75.00

All later ARP filters (after 1975) have a cutoff frequency limit of 11 kHz. This mod upgrades the cutoff frequency range from 11 kHz to 28 kHz. We also upgrade the filter output amp and control summing amp. This is a necessity for all un-encapsulated filters. A cost effective alternative to a 4012 module.

 

MOOG STYLE FILTER MODULE - 4012cx - (ALL MODELS) - 279.00

The 4012 filter was used from 1971 (blue Marvin) to the middle of 1976. If your 2600 is a gray face, It probably utilizes the 4012 module. The 4012 is a ladder type filter using discrete transistors. The original 4012 made by ARP is prone to instability. The 4012 replacement filter by CMS is guaranteed stable yet uses the exact circuit that ARP used. Better quality components and personal attention to craftsmanship yield a filter of superior sonic characteristics! See the Sub-module section for more info.

 

VCA MODULE UPGRADE - (4019) - (LATER MODELS) - 59.00

If your VCA module is unencapsulated, we can give it crystal clear highs and a deep low end. Also provides lower distortion and a faster slew-rate. If you have an encapsulated ARP VCA, this upgrade is not available, but improved unencapsulated replacement modules are available, see submodules page, model 4019cx.

 

POWER SUPPLY UPGRADE - (ALL MODELS) - 250.00

The power supply in your 2600 is about 20 to 30 years old. Chances are that your power supply is not up to spec. This can result in excessive noise, ripple, and instability. This mod replaces your unit with a high power, highly stable, military spec power unit with remote sense regulation. The overall sound quality and oscillator purity are noticeably improved. Rebuilt ARP units are available for 125.00 (50.00 core charge).

 

17 INCH REVERB TANK - (ALL MODELS) - 89.00

Ever wonder why later model 2600s have such a lame reverb. Later model 2600s use smaller reverb tanks with a shorter delay time than earlier 2600s made by ARP. The only reason I can find for this change is economic. Our brand new reverb tanks use 6 springs, counter wound and placed in parallel for a rich, full sound. This mod restores your reverb sound back to the original "Blue Marvin / Gray Meanie" configuration.

 

 

     
       
     
       
 

Hardwood Studio Cabinet - 2600M - see below.

 

 
       
     
   
 

STAGE TWO UPGRADES / MODIFICATIONS FOR THE ARP 2600

These upgrades / modifications are more extensive and time consuming than the above. They usually involve partial to complete disassembly, front panel machining, re-assembly etc.

 

1/4 INCH LINE LEVEL JACKS - 79.00

Professionally installed 1/4 inch Switchcraft jacks at line level (designed to interface with your studio mixer etc.) on both main outputs, VCA output, and preamp input. 4 jacks total.

 

SYNC SWITCHES - 149.00

Two independent miniature toggle switches that sync vco-2 to vco-1, and vco-3 to vco-1 This setup enables dual sync (two separate harmonics) if desired.

 

ENVELOPE GENERATOR RANGE EXPANDER SWITCHES - 50.00 ea.

Miniature toggle switches that provide 2 additional time ranges for the attack, decay and release time of the ADSR generator and the attack and decay time of the AR generator.

 

VARIABLE VCF KEYBOARD TRACKING - 48.00

The filter tracking on a 2600 is fixed at 1v per octave. This is quite limiting especially if you are shooting for natural textures. This mod provides a miniature rotary potentiometer that adjusts the tracking ratio from 0 to 1v/octave

 

LED INDICATORS - 149.00

providing visual feedback on both E.G. outputs (red), s/h clock (green) and envelope follower (yellow). Requires power supply upgrade.

 

24Db DUAL MODE FILTER - MODEL 2621- call

The one key element missing in a 2600 is a highpass filter with resonance and associated coupling circuitry. The CMS 2620 is a dual mode, 24Db (Lowpass/Highpass), discrete, transistor ladder filter from the CMS 9000 series modules, Installed in the left speaker section. This original CMS design features a beautiful "raspy" resonance. Complete with anodized face plate, high quality controls, 1/8 inch Switchcraft normalized patching. Special switch links both filters in your 2600 together for a truly remarkable sounding bandpass function (24Db x 24Db). The resonance on the highpass function is also very unique and distinctive. Requires power supply upgrade. Now comes with voltage controlled resonance.

 

 

VCO / 4 CHANNEL MIXER / INVERTER - MODEL 2627 - call

Installed in the right speaker section, this VCO utilizes the same exact circuitry used in the other VCO's in your 2600 to assure exact tracking and pitch stability characteristics. All four waveforms are available as well as pulse width modulation. Low frequency mode and normalized patching are also provided. The mixer section serves as a high quality audio mixer with the inputs either normalized to all 4 outs of VCO-4 or externally patched. The mixer can also be used as a voltage summer or inverter. Requires power supply upgrade.

 

 

 
     
   
     

Hardwood Studio Cabinet - 2600M - (for model 2600P v2.0 and up) - email cms for price.

The 2600M red honduran mahogany cabinet is now available. Place your 2600 in a cabinet it truly deserves. Finally a solution to the rotted and moldy tolex cabinet syndrome. This professionally made, solid hardwood cabinet features dovetail joints for solid construction, a removable mahogany plywood back panel for easy access. Rear A.C. and keyboard ports. This cabinet fits all 2600s with a front panel height of 15.5 inches. See the 2600 identification page to see if your 2600 is eligible.

 
     
   
     
   
     
     
               
 
               
       
    e-mail: filter@discretesynthesizers.com
  phone: 610-694-8886   ©2007 Phil Cirocco