6 spaces high, yes! 10.5 inches.
Heavy duty .100 thick precision machined front
Sturdy, custom designed rear enclosure.
Sync switch that syncs VCO-1 to VCO-3.
VCO3 has all 4 waveforms!!!
Uses the discrete wave-shapers from the 2500
- they sound much better and produce better shaped waveforms.
Both VCO-2 and VCO-3 actually produce a sine wave,
not a rounded triangle like on the 2600.
PWM on all 3 VCOs.
The famous CMS 4012 CX filter comes standard issue.
Better sounding but true to the original design of the early
The filter has 2 modes: CMS and ARP. The ARP mode
maintains the original factory 4012 circuit. The CMS mode features
the CMS 9004 dual mode filter.
The VCF has an additional High pass / Pseudo-notch
out depending on the mode switch setting.
Improved AR generator circuit.
3 position time range selectors on both envelope
CMS 4019CX high slew rate VCA is standard equipment.
Voltage processor 2 becomes the Post Filter Distortion
circuit from the ARP Centaur when the PFD switch is engaged.
Schmitt trigger or trigger detector for externally
triggering Envelopes, SH, Etc. Doubles as a distortion device.\
Separate Ring Modulator AC / DC switches facilitate
a 2nd VCA.
A dedicated LFO.
S/H clock has sine out for additional LFO modulation.
Tripped out Electronic Switch has way too many
uses to list here.
17 inch, 3 spring, rear mounted reverb tank w
2 pedal circuits with front panel output jacks.
Rear CV buss and Gate buss inputs.
Convenient front panel CV and Gate output jacks.
Rear mounted "slider LED disable" switch
- disables the slider LEDs only.
2 1/4 inch line level outputs for stereo effects.
High quality Alps controls.
American made enclosure and printed circuit boards.
High quality Switchcraft jacks.
All critical audio processing is performed by
discrete, hand selected, low noise, matched transistors.